The project is considered a powerful contribution to modern Afro-Cuban jazz, bringing the classic big band format into a contemporary sound landscape.
It has been described as a modern reinvention of Afro-Cuban big band music for a new generation.
Afrokando blends
Traditional Afro-Cuban rhythms
Modern jazz improvisation
Strong big band brass sections
Latin percussion-driven grooves
Complex orchestral arrangements with danceable energy
The result is sophisticated yet deeply rooted in Latin musical tradition.
Concept of the Project
Alexis Baró created Afrokando as:
A tribute to classic Cuban big band orchestras
A continuation of the legacy of Afro-Cuban jazz pioneers
A modern fusion of heritage + contemporary jazz language
The project reflects the evolution of big band music while preserving its cultural identity.
About Alexis Baró
Cuban-Canadian trumpeter. Graduate of the Amadeo Roldán Conservatory in Havana . Based in Toronto since 2001
Collaborated with major artists in jazz and Latin music, including Herbie Hancock, Paquito D’Rivera, and Omara Portuondo
He is recognized as a respected figure in Afro-Cuban and Latin jazz worldwide.
Album Highlights
Afrokando features a full big band lineup with rich orchestration and includes compositions such as:
Son a la Big Band
Afro Cubanía
Underground Cha Cha
Paseo por el Prado
The album showcases both technical excellence and deep cultural roots.
Alexis Baró & La Big Band – Afrokando stands as a modern Afro-Cuban jazz project that bridges tradition and innovation through the powerful sound of a full big band.